German Expressionist Prose

An Extreme Sensitivity To Gathering Social Crisis, An Accompanying Angry Enthusiasm For Artistic Experimentation And Renewal This Compelling Mix In German Art, Poetry, And Drama Of The Period To Continues To Draw Both Scholarly Attention And Intense Popular InterestIn This Book Augustinus Dierick Focuses On Another Significant But Hitherto Neglected Medium Of German Expressionist Thought Short Narrative Prose In Order To Illuminate And Evaluate The Contribution Of That Genre To One Of The Twentieth Century,s Most Powerful Artistic MovementsDierick,s Study Includes AThorough Analysis Of The Works Of ABroad Range Of Expressionist Prose Writers, From Those Of Such Specialists In The Genre As Edschmid, Heym, Benn, Loerke, Frank, Sternheim, Ehrenstein, And ,mynona, To The Shorter Prose Works Of Such Major Figures As Alfred Döblin, Heinrich Mann, Max Brod, And Franz WerfelDierick Isolates The Thematic Obsessions Common Among Expressionist Writers: The Pathos Of The Self In Confrontation With Nature And With God, The Tension Between Self And The Institutions Of Bourgeois Society, And The Attractions And Dangers Of EroticismThroughout Dierick Stresses The Interrelationship Between Themes And Their Formal ExpressionHe Examines Many Apparent Excesses In Style And Tone, Many Aberrations In Structure And Generic Characteristics, And Identifies Them Not As Needless Experimentation But As ANecessary Result Of The Attempt To Find Appropriate Forms For Extreme Situations And Complex IdeasDierick,s Analysis Makes Clear That Expressionist Prose Has An Intrinsic Artistic Value And, Because Of Certain Nuances And Different Accents, Must Be Included In Any Estimation Of The Nature And Importance Of Expressionism As AWhole. 
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