Semiotics And Title Sequences Textimage Composites In Motion Graphics Routledge Studies In Media Theory And Practice

Michael Betancourt

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Semiotics And Title Sequences Textimage Composites In Motion Graphics Routledge Studies In Media Theory And Practice
Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles,...

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Semiotics And Title Sequences Textimage Composites In Motion Graphics Routledge Studies In Media Theory And Practice

Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.


Nº de Páginas: 144
Encadernação: Capa Mole / Paperback
Tema: History of art / art & design styles
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Número de páginas

144,0

Editora

Taylor & Francis

Peso

186,0

Data de lançamento

12/12/2019

Série/Edição Limitada

1

Idiomas

Inglês

EAN

9780367887551

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Publicidade