Roger Fry'S 'Difficult And Uncertain Science' The Interpretation Of Aesthetic Perception 28 Cultural Interactions Studies In The Relationship Between The Arts

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Roger Fry'S 'Difficult And Uncertain Science' The Interpretation Of Aesthetic Perception 28 Cultural Interactions Studies In The Relationship Between The Arts
This new study traces the development and evolution of the writings of Roger Fry (1866-1934), a highly influential art critic who introduced modern French painting to Britain in the early twentieth century. Through close analysis of his writings, the author examines the role that emerging psychological theories played in the formulation and expression of Fry's...

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Roger Fry'S 'Difficult And Uncertain Science' The Interpretation Of Aesthetic Perception 28 Cultural Interactions Studies In The Relationship Between The Arts
This new study traces the development and evolution of the writings of Roger Fry (1866-1934), a highly influential art critic who introduced modern French painting to Britain in the early twentieth century. Through close analysis of his writings, the author examines the role that emerging psychological theories played in the formulation and expression of Fry's aesthetic theories. She also discusses aspects of physiological psychology, Gestalt theory, psychoanalysis and adaptive psychology, arguing that detailed analyses of aesthetic perception comprise the core of Fry's writings. Though he has rarely been credited with this goal, this volume shows that Fry sought to make art accessible to a wide audience and that highlighting the universal aspects of aesthetic perception was a means to this end.
The book offers a chronological study of select essays and lectures, both published and unpublished, written by Roger Fry between the 1890s and his death in 1934. Where relevant his writings are juxtaposed with those of other art critics and theorists to identify factors that shaped his thinking and his use of terminology and to clarify the critical context in which he was working. Since Fry's work as a visual artist ran alongside his critical thinking, some attention is given to his paintings as a method of illustrating his practical experimentation with aesthetic principles, particularly formalist concepts.
Nº de Páginas: 275
Encadernação: Capa Mole / Paperback
Tema: The arts: general issues
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Características

Editora

Peter Lang AG, Internationaler Verlag der Wissenschaften

Idiomas

Inglês

Número de páginas

275,0

Peso

431,0

Colecção

The arts: general issues

Data de lançamento

11/01/2013

Série/Edição Limitada

New edition

EAN

9783034307918

Publicidade
Publicidade